1.

 

Sound Module: Auto Wah

Signal from Fender Telecaster (neck pickup) was going into AGP-1 and then into a Marshall 18-Watt. Marshall was recorded with a Shure SM57 into a Digidesign MBox2 into Apple's Logic. Slight compression was added in Logic to the guitar track to let it set in the mix slightly better. No effects or EQ were used except theose in AGP-1.

Bass and Drum Loops: Apple Logic

Guitar Track:
Auto Wah settings: SENS-240, MANUAL-215, LPF/WAH-200, Level-160

Composed, Recorded & Performed by Tim Sorensen.

 

2.

 

Sound Modules: Octaver >> Fuzz >> Chorus >> Delay

Signal from Fender Telecaster was going into AGP-1 and then into a Marshall 18-Watt. Marshall was recorded with a Shure SM57 into a Digidesign MBox2 into Apple's Logic. No effects or EQ were used except theose in AGP-1.

Drum Loops: Apple Logic

"Bass" Sound: Signal from standard Telecaster guitar (neck pickup) was going into Octaver to simulate a bass sound output.
Octaver settings: 2OctDown-70, 1OctDown-130, Normal-70, 1OctUp-0

Rhythm Guitar: Telecaster both pickups
Chorus settings: Speed-90, Depth-40, Tone-0, Mix. Balance-253

Solo Guitar: Telecaster neck pickup
Octaver settings: 2OctDown-20, 1OctDown-65, Normal-255, 1OctUp-255
Fuzz settings: Sustain-50, Tone-123, Volume-15
Delay settings: Time-180, Blend-100, Repeat-40

Composed, Recorded & Performed by Tim Sorensen.

 

3.

 

Sound Module: Delay >> Tremolo

Rhythm signal from "1960’s cheap Electromuse Lap Steel" or lead signal from "Strat" was going into AGP-1 and then into a Marshall 18-Watt. Marshall was recorded with a Shure SM57 into a Digidesign MBox2 into Apple's Garage Band. No effects or EQ were used except theose in AGP-1.

Drums: Apple’s Garage Band

Rhythm Guitar: 1960’s cheap Electromuse Lap Steel
Tremolo settings: Rate-175, Depth-165, Wave-45, Level-215
Overdirve generated by Marshall 18-Watt.

Lead Guitar: Strat
Delay settings: Time-92, Blend-115, Repeat-108
Tremolo settings: Rate-152, Depth-140, Wave-255, Level-200
Overdrive generated by Marshall 18-Watt.

Composed, Recorded & Performed by Tim Sorensen.

 

4.

 

Sound Modules:
Acoustic Simulator >> Octaver >> Auto Wah >> Overdrive >> Hot Distortion >> Phaser >> Chorus >> Delay >> Global EQ (AGP-1 onboard module)

Signal (from three different guitars) was going into AGP-1 and then into a Marshall 18-Watt. Marshall was recorded with a Shure SM57 into a Digidesign MBox2 into Apple's Logic. No effects or EQ were used except theose in AGP-1.

Drum Loops: Apple Logic

Acoustic sound: Strat Neck pickup
Acoustic Simulator settings: Level-255, Body-100, Middle-130, Top-80, Mode-Enhance
Global EQ settings: All controls flat except 6.4KHz control set to 10 (significant cut) and Level set to 185.
A slight stereo doubling delay was added in Logic for some sonic space.

Phased guitar: Tele bridge pickup
Phaser settings: Speed-20, Depth-220, Manual-255, Feedback-40

"Bass" sound: Signal from standard Strat guitar (neck pickup) was going into Octaver to simulate a bass sound output.
Octaver settings: 2OctDown-0, 1OctDown-230, Normal-50, 1OctUp-0
Once the audio was on Logic, the sound was run through an Ampeg SVT model.

Organesque sound: Tele both pickups
Auto Wah settings: Sens-245, Manual-195, LPF/Wah-200, Level-160
Chorus settings: Speed-120, Depth-90, Tone-0, Mix. Balance-253
Delay settings: Time-20, Blend-80, Repeat-20
Octaver settings: 2OctDown-0, 1OctDown-65, Normal-170, 1OctUp-215
Overdrive settings: Drive-50, Tone-40, Volume-50
A slight stereo doubling delay was added in Logic for some sonic space.

Solo guitar: Samick Royale 3 (medium body 335-type)
Hot Distortion settings: Drive-80, Tone-165, Volume-35
Delay settings: Time-60, Blend-20, Repeat-20

Arranged, Recorded & Performed by Tim Sorensen.

 

5.

 

Sound Module: Metal Distortion

Signal from Fender Telecaster was going into AGP-1 and then into a Marshall 18-Watt. Marshall was recorded with a Shure SM57 into a Digidesign MBox2 into Apple's Logic. No effects or EQ were used except theose in AGP-1.

Drums: Apple’s Garage Band

Rhythm Track:
Metal Distortion settings: Bass-250, Mid-115, Mid-Shift-205, High-200, Gain-240, Volume-20

Lead Track:
Metal Distortion settings: Bass-250, Mid-115, Mid-Shift-205, High-200, Gain-240, Volume-20

Composed, Recorded & Performed by Tim Sorensen.

 
     

 

 

 

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