1.

 

Sound Module: Delay

Signal from Gibson SG Special was going into AGP-1 and then into a Marshall 18-Watt amp with an Eminence Red Fang alnico speaker. The amp was mic'ed with a Shure SM57 with a Digidesign MBox2 pre-amp and recorded on Apple's Logic Express 9. No effects or EQ were used except those in AGP-1.

Delay settings: Time-56, Blend-245, Repeat-85

Composed, Recorded & Performed by Tim Sorensen.

 

 

2.

 

Sound Module: Overdrive

Both tracks were recorded with the guitars going into the AGP-1 into a Marshall 18-Watt set on the upper end of clean. The Marshall was recorded using a Shure SM57 into a Digidesign MBox2 into Apples's Logic Express 9. No effects or EQ were used except those in AGP-1.

Left Track: Samick Valley Arts Stratocaster in pickup position 2
Overdrive settings: Drive-85, Tone-160, Volume-60

Right Track: Gibson Les Paul Deluxe neck pickup
Overdrive settings: Drive-65, Tone-220, Volume-100

Composed, Recorded & Performed by Tim Sorensen.

 

3.

 

Sound Modules: Compressor/NoiseGate >> Metal Distortion

Signal from Gibson SG was going into AGP-1 and then into a Marshall 18-Watt. Marshall was recorded with a Shure SM57 into a Digidesign MBox2 into Apple's Logic. No effects or EQ were used except theose in AGP-1.

Left Track:
Compression settings:Gain-0, Noisegate-0, Compression-255, Rotation-125
Metal Distortion settings: Bass-249, Mid-74, Mid-Shift-140, High-13, Gain-100, Volume-25

Right Track:
Metal Distortion settings: Bass-249, Mid-74, Mid-Shift-140, High-13, Gain-100, Volume-25

Composed, Recorded & Performed by Tim Sorensen.

 

4.

 

Sound Modules: Chorus >> Delay >> SpeakerSimulator

Signal from Gibson Les Paul Deluxe was going into AGP-1 and then direct into Digidesign MBox2 into Apple's Logic. No effects or EQ were used except theose in AGP-1.

Chorus settings: Speed-19, Depth-128, Tone-0, Mix.Balance-128
Delay settings (to add some "room" feel): Time-3, Blend-29, Repeat-26
Speaker Simulator: ON

Composed, Recorded & Performed by Tim Sorensen.

 

5.

 

Sound Modules: Metal Distortion >> Flanger >> Delay

Signal from Fender Telecaster was going into AGP-1 and then into a Marshall 18-Watt. Marshall was recorded with a Shure SM57 into a Digidesign MBox2 into Apple's Logic. No effects or EQ were used except theose in AGP-1.

Intro Palm Muted Track:
Metal Distortion settings: Bass-247, Mid-106, Mid-Shift-245, High-183, Gain-145, Volume-9
Flanger settings: Speed-3, Depth-255, Manual-255, Feedback-247
Delay settings: Time-255, Blend-185, Repeat-100

Rhythm Track:
Metal Distortion settings: Bass-247, Mid-106, Mid-Shift-245, High-183, Gain-145, Volume-9
Flanger settings: Speed-3, Depth-86, Manual-85, Feedback-67
Delay settings: Time-255, Blend-185, Repeat-100

Melody Track:
Flanger settings: Speed-123, Depth-96, Manual-35, Feedback-7
Delay settings: Time-255, Blend-95, Repeat-100

Composed, Recorded & Performed by Tim Sorensen.

 

6.

 

Sound Modules: Compressor/NoiseGate >> Overdrive

Signal from Fender Telecaster was going into AGP-1 and then into a Marshall 18-Watt. Marshall was recorded with a Shure SM57 into a Digidesign MBox2 into Apple's Logic. No effects or EQ were used except theose in AGP-1.

Rhythm Track:
Compressor/NoiseGate settings: Gain-3, NoiseGate-220, Compression-65, Rotation-68

Melody Track:
Compressor/NoiseGate settings: Gain-3, NoiseGate-220, Compression-65, Rotation-68
Overdrive settings: Drive-35, Tone-253, Volume-30

Composed, Recorded & Performed by Tim Sorensen.

 
     

 

 

 

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